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Technology Information:

*OP Edgeworks 2 (Tr)

Description

Another double dose of Harlan Ellison's best--for aficionados and latecomers alike. Opening with a new Introduction, written for especially for this omnibus by the master essayist himself, this enormous volume presents Spider Kiss, a gritty, rockabillly novel, and Stalking the Nightmare, a collection of 20 of Ellison's best stories and essays.

The Edgeworks are designed as the projected 20-volume definitive version of this controversial author's collected works. Harlan Ellison is the most honored fantasist of the 20th century, and many of the books in the long-awaited series have been out of print for decades. Each volume also contains new introductions, and often the original work itself has been revised or expanded by the author. Edgeworks 2 includes an early (1961) novel Spider Kiss, originally titled Rockabilly. It was one of the very first--and still remains one of the best--dissections of the wildly destructive rock & roll lifestyle. Stalking the Nightmare is a 1982 collection of assorted short stories and essays, which also boasts an insightful foreword by Ellison admirer Stephen King. Sampling any part of Edgeworks 2 will give readers a taste of this great writer's talent. --Stanley Wiater

Reviews

Rating: 4 / 5
Date: 2003-03-04
Summary: "Love that bleeds"

The jacket flap sums up this book perfectly, 'Here are two big books in one volume. Each has the word "love" in the title. But don't let that get your hopes up. Yeah, these are stories that sing... but they also draw blood.' That's the core of this book, real love, not the pampered and idealistic stuff that preaches "love will conquer all." This is about love that hurts.

This volume is divided into two books, I prefer the second, with all stories on the different kinds of love. My favorites are the two bookend stories that open and close this book. "The Beast That Shouted Love at the Heart of the World" is beautifully crafted and shows how good a short story can be. The last story in the collection, "A Boy and His Dog," is a great way to end the book and the collection. The first book in this volume, although not my favorite, is still very good, and contains stories that reach into different faucets of life, and show the love between people and their different lives.

When Shakespeare saw love, he saw the kind that ends in a double suicide, Harlan Ellison hits pretty close to the same nail with this collection. Even though not every story in here is top notch, I still highly recomend this volume for a great look on real love, and for containing some of the best short stories Ellison has written.

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Rating: 4 / 5
Date: 2002-01-26
Summary: "Why 2 books in one ?"

I adore Ellison's works. However, I have most of them (more than the Columbus Metropolitan Library system) and do not like the fact that they are being reprinted 2 per volume. I would recommend this to anyone who already likes Ellison, but am unsure that it is good for a 1st intor to him.

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Rating: 3 / 5
Date: 2001-06-24
Summary: "A Collection of Some of Ellison's better Stories and Novels"

This book is really two books in one (high-quality) volume.

SPIDER KISS (original title, "Rockabilly")is a very good novel about the rise and fall of the fictional rock star Stag Preston -a fictionalization of Jerry Lee Louis. It is a very well-written novel, lightyears away from the cookie-cutter sensational "where are they now" biographies of rock stars (fictional, real, or fictionalized.)

The second book, STALKING THE NIGHTMARE, is a collection of science fiction stories interlaced with Ellison's typical "me against the world" essays (titled "scenes from the real world", parts I-IV.) The stories are good, varying from religious satire ("The outpost undicovered by tourists"), to dark science fiction("Transcending Destiny"), to adventure stories ("The Goddess of the ice"). The problem is, one cannot really say too much about them without ruining the enjoyment of reading them. I will only say that the stories are VERY different, for good and bad, from "regular" science fiction and fantasy, despite often using the same tropes (other worlds, space travel, djinni in a bottle, etc.) used in those genres.

The three stars are given not because the stories, essays, or novel are average, but because the reader will either enjoy Ellison's work tremendeously or stop reading in the middle. Ellison is the kind of writer you either love or hate, but are never indifferent to. I cannot therefore reccomend it without reservation; you have been warned! But if you know Ellison or suspect you would like his work,

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Rating: 5 / 5
Date: 2000-07-27
Summary: "Harlan does it again."

Not much to say. Harlan Ellison at his best. Hell, he's ALWAYS at his best. This book contain two Ellison classics that make you feel all gooey inside after reading 'em: "Spider Kiss" and "Stalking the Nightmare". " Spider Kiss" mainly concentrates on the career of a rock star from his beginnings to his horrible finish. "Stalking the Nightmare" is the not-so-average collection of killer short fiction and biting commentary. To all who have not read Ellison: Buy this book. Buy any book by Ellison. It'll change your life for the better. For those who have read him: obviously nothing here to be said.

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Rating: 5 / 5
Date: 1999-01-17
Summary: ""Ellison's white-hot writing will dazzle...""

This fourth volume in White Wolf's reprint series includes two of Ellison's finest collections. The first, "Love Aint Nothing But Sex Misspelled," contains stories reflecting the angst and turmoil of the sixties. "The Resurgence of Miss Ankle-strap Wedgie," "Neither Your Jenny Nor Mine," "A Prayer For No Ones Enemy," and "Punky & the Yale Men" deal variously with icons, abortion, politics and racism. The second collection examines love and the various forms it takes: from the experimental title tale, "The Beast that Shouted Love at the Heart of the World," which won Ellison his fourth Hugo, "Along the Scenic Route," which dealt with "road rage" long before the term was coined, and "Try a Dull Knife," a story about emotional vampirism, to the cult classic, Nebula-winning novella, "A Boy and His Dog," in which a futuristic society is turned upside down and a canine companion educates a boy while teaching him the true meaning of love. Dressed up in a provocative dust-jacket by John K. Snyder, this big, beautiful omnibus edition will capture the heart of longtime fans and dazzle the uninitiated with Ellison's white-hot writing. (from "Des Moines Register" Copyright 1998)